Thursday, April 30, 2015

William Dickey - On the White Road





On The White Road

On the white road
in dust of summer
someone’s arriving

apricots bend
from the wall-garden
welcoming summer

someone’s arriving
clothed only in light
his hands empty

his eyes full of islands
stroked by blue ocean
in the summer air

violent and singing
on the empty road
someone’s arriving

the white light
cherishing his step
and his naked stare.
             
               William Dickey

Hass, Robert., ed., “On The White Road”. Poet’s Choice: Poems for Everyday Life. Hopewell, New Jersey, Ecco Press: 1998. pp.144-145.




Wednesday, April 29, 2015

William Wordsworth (1770-1850) I Wandered Lonely As a Cloud








I Wandered Lonely As A Cloud


I wandered lonely as a cloud
That floats on high o’er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Outdid the sparkling waves in glee;
A poet could not but be gay,
In such a jocund company;
I gazed -  and gazed – but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
                  
                             William Wordsworth

Finamore, Frank J., ed. Half Hours with the Best Poets. New York: Grammercy Books, 1999. p. 68.

Tuesday, April 28, 2015

Alfred Edward Housman (1859-1936) - Loveliest of Trees














Loveliest of Trees

Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.

Now, of my threescore years and ten,
Twenty will not come again.
And take from seventy springs a score,
It only leaves me fifty more.

And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
           
                            Alfred Edward Housman

Finamore, Frank J., ed. Half Hours with the Best Poets. New York: Grammercy Books, 1999. p.245.



Sunday, April 26, 2015

Two Children's Poems About Spring





A Walk in Spring


What could be nicer than the spring,
When little birds begin to sing?
When for my daily walk I go
Through fields that once were white with snow?
When in the green and open spaces
Lie baby lambs with sweet black faces?
What could be finer than to shout
That all the buds are bursting out-
And oh, at last beneath the hill,
To pick a yellow daffodil? 
                               
                                         K. C. Lart


Night of Spring


Slow, horses, slow,
As through the wood we go-
We would count the stars in heaven,
Hear the grasses grow:

Watch the cloudlets few
Dappling the deep blue.
In our open palms outspread
Catch the blessed dew.

Slow, horses, slow,
As through the wood we go-
All the beauty of the night
We would learn and know!
             
                     Thomas Westwood












The Book Of a Thousand Poems. New York: Peter Bedrick Books. 1983. pp. 184-185.

Saturday, April 25, 2015

Haiku - Yosa Buson 1716 - 1783






      Sparrow singing-
its tiny mouth
      open.

                             ***












      The spring sea rising
and falling, rising
      and falling all day.


                               ***




      












      The cherry blossoms fallen-
through the branches
      a temple.


                                     ***




      






      That snail-
one long horn, one short
      what’s on his mind?

                                        ***

Hass, Robert., ed. The Essential Haiku. Hopewell, New Jersey: Ecco Press: 1994. p.85-87.

      

Friday, April 24, 2015

W.S. Merwin - Summer Canyon




Summer Canyon

 Some of the mayflies
drift on into June
without their names
                         *
Spring reappears in the evening
oyster cloud sky catches in pines
water light wells out of needles after sundown
                         *
On small summit pine hollow
field chickweed under trees
split white petals drifting over shadows
                         *
Two crows call to each other
flying over
same places
                          *
Three broad blue petals
I do not know
what kind of flower
                         *
Leaves never seen before
look how they have grown
since we came here
                         *
Day’s end green summer stillness
pine shadows drift far out
on long boards
                         *
Mourning dove sound
cricket sound
no third
                         *
All day the wind blows
and the rock
keeps its place
                         *
Sunlight after rain
reflections of ruffled water
cross the ceiling
                         *
High in the east full moon
and far below on the plain
low clouds and lightning
                         *
Jay clatters through dark pine
it remembers
something it wants among them
                                W. S. Merwin

Hass, Robert., ed. “Summer Canyon”. Poet’s Choice: Poems for Everyday Life. Hopewell, New Jersey: Ecco Press. 1998. pp.155-156.

Thursday, April 23, 2015

Lawrence Ferlinghetti - The Changing Light








The Changing Light


The changing light at San Francisco
                            is none of your East Coast light
                                                none of your
                                                              pearly light of Paris
The light of San Francisco
                                                is a sea light
                                                                       an island light
And the light of fog
                                       blanketing the hills
                       drifting in at night
                                      through the Golden Gate
                                                   to lie on the city at dawn
And then the halcyon late mornings
               after the fog burns off
                         and the son paints white houses
                                       with the sea of light of Greece
                               with sharp clean shadows
                                       making the town look like
                                                      it had just been painted
But the wind comes up at four o’clock
                                                               sweeping the hills
And then the veil of light of early evening
And then another scrim
                                     when the new night fog
                                                                                 floats in
And in that vale of light
                                          
                      the city drifts
                                           anchorless upon the ocean

                                                      Lawrence Ferlinghetti

Ferlinghetti, Lawrence. “The Changing Light”. San Francisco Poems. San Francisco: City Lights Foundation. 2001, pp. 76-77.


Wednesday, April 22, 2015

Billy Collins - Roadside Flowers




Roadside Flowers

These are the kind you are supposed
to stop to look at, as I do this morning,
but just long enough
so as not to carry my non-stopping
around with me all day,
a big medicine ball of neglect and disregard.

But now I seem to be carrying
my not-stopping-long-enough ball
as I walk around
the circumference of myself
and up and down the angles of the day.

Roadside flowers,
when I get back to my room
I will make it all up to you.
I will lie on my stomach and write
in a notebook how lighthearted you were,
pink and white among the weeds,

wild phlox perhaps,
or at least of cousin of that family,
a pretty one who comes to visit
every summer for two weeks without her parents,
she who unpacks her things upstairs
while I am out on the lawn

throwing the ball as high as I can,
catching it almost

every time in my two outstretched hands.
                                   
                                                Billy Collins

Collins, Billy. “Roadside Flowers”, Nine Horses. New York: Random House, 2002. pp. 43 – 44.

Tuesday, April 21, 2015

Haiku - Matsuo Basho

















Three Haiku by Matsuo Basho (1644 – 1694)

    A bee
staggers out
    of the peony.





    When I looked under the hedge-
the little grass called shepherd’s purse
    was flowering.





    The old pond-
a frog jumps in,
    sound of water.


Hass, Robert., ed. The Essential Haiku. Hopewell, New Jersey: Ecco Press: 1994. p.18.




Monday, April 20, 2015

Mary Oliver - Invitation


Invitation

Oh do you have time
 to linger
  for just a little while
   out of your busy

and very important day
 for the goldfinches
  that have gathered
   in a field of thistles

for a musical battle,
 to see who can sing
  the highest note,
   or the lowest,

or the most expressive of mirth,
 or the most tender?
  Their strong, blunt beaks
   drink the air

as they strive
 melodiously
  not for your sake
   and not for mine

and not for the sake of winning
 but for sheer delight and gratitude-
  believe us, they say,
   it is a serious thing

just to be alive
 on this fresh morning
  in this broken world.
   I beg of you,

do not walk by
 without pausing
  to attend to this
   rather ridiculous performance.

It could mean something.
 It could mean everything.
  It could be what Rilke meant, when he wrote:
   You must change your life.
                                 
                                                          Mary Oliver


Oliver, Mary. “Invitation”. Red Bird. Boston: Beacon Press, 2008. pp. 18-19.

Sunday, April 19, 2015

Walt Whitman















A Noiseless Patient Spider


A noiseless patient spider,
I mark’d where on a little promontory it stood isolated,
Mark’d how to explore the vacant vast surrounding,
It launch’d forth filament, filament, filament, out of itself,
Ever unreeling them, ever tirelessly speeding them.

And you O my soul where you stand,
Surrounded, detached, in measureless, oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
Till the bridge you will need be form’d, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.
                                                                   
                                                         Walt Whitman


Finamore, Frank J., ed. Half Hours with the Best Poets. New York: Grammercy Books, 1999. p.194.

Saturday, April 18, 2015

Ted Kooser - A Morning in Early Spring


A Morning in Early Spring


First light, and under stars
our elm glides out of darkness
to settle on its nest of shadows,
spreading its feathers to shake out

the night. Above, a satellite-
one shining bead of mercury
bearing thousands of voices-
rolls toward the light in the east.

The Big Dipper, for months left
afloat in a bucket of stars,
has begun to leak. Each morning
it settles a little into the north.

A rabbit bounces over the yard
like a knot at the end of a rope
that the new day reels in, tugging
the night and coiling it away.

A fat robin bobs her head,
hemming a cloth for her table,
pulling the thread of a worm,
then neatly biting it off.

My wife, in an old velour robe,
steps off a fifty-yard length
of the dawn, out to the road
to get the newspaper, each step

with its own singular sound.
Each needle in the windbreak
bends to the breeze, the windmill
turns clockwise then ticks to a stop.

No other day like this one.
A crocus like a wooden match-
Ohio Blue Tip – flares in the shadows
that drip from the downspout.

This is a morning that falls between
weathers, a morning that hangs
dirty gray from the sky,
like a sheet from a bachelor’s bed,

hung out to dry but not dry yet,
the air not warm or cool,
and my wife within it, bearing the news
in both hands, like a tray.

Along the road to east and west,
on the dark side of fence posts,
thin fingers of shadowy snowdrifts
pluck and straighten the fringe

on a carpet of fields. Clouds float in
like ships flying the pennants of geese,
and the trees, like tuning forks,
begin to hum. Now a light rain

fingers the porch roof, trying
the same cold key over and over.
Spatters of raindrops cold as dimes,
and a torn gray curtain of cloud

floats out of a broken window
of sky. Icy patches of shadows
race over the hills. No other day
like this one, not ever again.

Now, for only a moment, sleet
sifts across the shingles, pale beads
threaded on filaments of rain,
and the wind dies. A threadbare

pillowcase of snow is shaken out
then draped across the morning,
too thin to cover anything for long.
None other like this.

All winter, the earth was sealed
by a lid of frost, like the layer
of paraffin over the apple jelly,
or the white disk of chicken fat

on soup left to cool, but now,
in cold tin sheds with dripping roofs,
old tractors warm their engines,
burning the feathery mouse nests

from red exhausts, rattling the jars
of cotter pins, shaking gaskets
on nails and stirring the dirty rags
of cobwebs. And young farmers

who have already this morning
put on the faces of ancestors
and have shoved the cold red fists
of grandfathers, fathers, and uncles

deep in their pockets, stand framed
in wreaths of diesel smoke,
looking out over the wet black fields
from doors that open into spring.

In the first light I bend to one knee.
I fill the old bowl of my hands
with wet leaves, and lift them
to my face, a rich broth of browns

and yellows, and breathe the vapor,
spiced with oils and,  I suspect,
just a pinch of cumin. This is my life,
none other like this.
                          
                                         Ted  Kooser

Kooser, Ted. “A Morning in Early Spring.” Splitting An Order. Port Townsend,
Washington: Copper Canyon Press, 2014. pp. 56-59.